So Hepburn will be moving in a few months - to a Studio City low-rise. “I had a feeling the bank was going to want to take this space back and use it for its own needs. “A guy from the bank walked in back in January and said, ‘Wow, this is a tremendous office,’ ” Hepburn said. Putnam & Smith has rented the $2,700-per-month ninth floor for about a year.īut that’s about to change. Hepburn’s company represents musicians and does marketing and public relations work for nonprofit groups. The fourth and sixth floors are vacant and the 10th is used for the building’s machinery. These days the bank’s mortgage division uses the second, seventh and eighth floors, a security company rents the third and the bank’s conference room takes up the fifth floor. Several financial institutions have operated the Victory Boulevard building over the years. “Honnold designed a number of buildings that are recognized as good examples of Late Modern architecture,” including the Sunset-Vine Tower in Hollywood, a 1963 spinoff of the North Hollywood tower. “It was a little off our route, but we included it as a site of note when we did a two-day tour of Valley architectural sites in 2000,” said Ken Bernstein, director of preservation issues for the Los Angeles Conservancy. The building has long captured the imagination of Modern architecture fans. The skyscraper’s single elevator opens to 3-foot-wide “elevator lobbies” on each of the floors. Its minuscule first-floor lobby serves as an entryway not only to the tower but to an adjoining ground-floor bank office that extends outward from the building’s south side. Each floor measures a mere 1,400 square feet. Besides giving the structure extra height, the top beams are used as identifying signs.Īs soaring as it looks from the outside, the high-rise is intimate on the inside. Two thick beams at the top connect girders on the north side of the building with those on the south side. The building itself seems to be suspended between a pair of giant handles reaching nearly 12 stories in the air. He drew up the North Hollywood tower to look as if it were emerging on legs from the shopping center parking lot and storefronts beneath it. Honnold, whose other work included collaborating with Richard Neutra on downtown’s Los Angeles County Hall of Records and designing jutting-roof Tiny Naylor’s and Ship’s restaurants, knew what to do.
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